The show has 23 performers, 123 costumes, and should run two and a half hours. If it’s successful, Luciérnaga Producciones may usher in a whole new genre of theater.
In a career spanning three decades, the San José native has become an accomplished poet, playwright, and actress – and she can even deliver a good zinger.
Set in rural Spain in the first part of the 20th century, “Blood Wedding” concerns a love triangle between an unnamed bride, an unnamed groom, and a seductive interloper named Leonardo Felix.
”Corteo” models its costumes and acts on turn-of-the-century Europe. The title is Italian, meaning “procession,” and the atmosphere is a mix of Sicily and vaudeville. Many of the men wear fedoras, suspenders, and seersucker outfits, while the women wear dresses and bloomers. Cirque clowns always have an old-fashioned bag of tricks – props, pratfalls – but the “Corteo” clowns look old-fashioned, like Depression-era hobos. For the moment, Cirque had dropped the “nouveau.” This is the kind of circus your great-grandfather used to see.